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“There have been a few documentaries on TV about animal killings in slaughterhouses, and the slaughterhouse community made an agreement they would not let people film inside their meat factories. He then continued, “I think the guy got aroused by the girl’s voice so finally he said, ‘Yes, you can come, but don’t put my name on it.’ The guy actually wanted to meet the girl on the phone, so the day we arrived, of course she did not want to see any of those things, so we went to the slaughterhouse and it was me and my camera assistant. As if the slaughterhouse shot was not visceral enough on its own, the opening montage sequence of “Carne” remarkably features footage of a live birth.

Released this week on "XSCAPE," which is neck-and-neck with the new Black Keys album for No.

Between explaining what drives him to do what he does best, the controversial Argentine-French filmmaker shared more than a few unbelievable anecdotes about making his envelope-pushing films, such as “Irreversible” and “Enter the Void.” “Carne” has one of the most unforgettable opening sequences in film history.

Not for the faint of heart, the film tells the story of a horse butcher in a Parisian suburb raising his mute daughter.

Dancers moved through aisles as Jackson was seen rising from a throne, walking down steps before going into several trademark routines, a moonwalk being one of the them.

Lasers, streams of flames and dancers in ancient costumes were part of the film.

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