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Under Rostislav Dubinsky in the 1960s, there was a biting sharpness wedded to elegance and strong emotional readiness; under Mikhail Kopelman in the 1980s, there was comparable depth and perhaps even more virtuosity.This current (and third) Borodin Quartet comes with a difference: in their complete cycle of the Shostakovich quartets performed here in May 2015, what stood out was their unaffected purity of expression, architectural command and, notably, greater warmth.Murray Schafer and Tchaikovsky, Dunbar Ryerson United Church, October 26, 2017.It is always a cause for celebration when a Canadian ensemble wins the Banff International String Quartet Competition, and this seems to be a coming thing: after the St.is an exemplary product of the humanistic spirit of the Italian Renaissance.
Lara Ciekiewicz (Jenůfa), Emilia Boteva (the Kostelnička), Colin Judson (Laca), Lynne Mc Murtry (Grandmother Buryja), John Lindsey (Števa), Dion Mazerolle (The Mayor), Maria Soulis (The Mayor’s Wife), Andrea Hill (Karolka), Peter Mc Gillivray (Stárek), Rebecca Genge (Jano).The orchestra under Timothy Vernon articulated of this complex score with clarity and emotional charge.The whole performance emphasized the lyrical, making for a poignant portrayal of suffering and hope... This was the first appearance this season of Dutch conductor Otto Tausk, who will take over as Music Director of the Vancouver Symphony Orchestra in its centenary year, starting July 2018.Victoria Symphony Orchestra, Timothy Vernon, conductor, Pacific Opera Victoria Chorus, Giuseppe Pietraroia, Chorus Master, Atom Egoyan, director. is dark, revealing the brutal underbelly of village life, its repressive mores and cruel punishments, its curious substratum of religiosity, a force both oppressive and consolatory.Pacific Opera Victoria presented us with a gripping rendition of the tale.